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Old BusinessRyan Dobran The poetry of Ryan Dobran begins in a congenial, observational mode and crystallizes swiftly into an engrossing lattice of voice and affect, a prismatic language that pivots unassumingly through shades of the quotidian and the disenchanted, the earnest and the circumspect, the ingenuous and the vatic. It is a recognizably contemporary poetry: familiar discourses and lifeworlds made uncanny by an exacting realism, conscientious of the

sadé mucks up orthography to investigate disorienting practices of refusal and wade through the fundamental feltness and unintelligibility of thingness

the unit of the house comes alive and cycles through its roles as need

maar kan ook niet om haar verlangen naar wraak

how do you piece together an Asian American identity out of Westerners’ ideas about Asians

” to Lavinia’s spilling forth of red language

From London

His “body / a devastation inventory

What your / kin says is power

of inscribing and decoding Blackness in poetry

Bochtige Smele was’)

Maar Anton de Kom is meer dan de schrijver van die klassieker

Er is nog niets aan de hand

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