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Je Ne Me Soucie Pas De (I)This variable edition of paintings marks my first time using a foreign language, this departure from my native English helps with my distance from its meaning and its ability to be read by myself. The translation of ' Do Not Care About' is taken from previous works that utilised that phrase in a triangular motif, the triangle dictated by the numerical structure of letters in the words. With 'Je Ne Me Soucie Pas De' the custom form of the work is

Vertical lines create a steady rhythm across the surface

The use of handblown glass allows the piece to come alive

This piece was carved from the surface of a discarded table

mysterious sanctuary of subconscious power

where mountains

Carved from a stump of Ash that suffered die-back

Surrounding it

where it is thought would be a shrine

Eye of the Temptress celebrates the colour green

I imagine the city as an urban landscape re-wilded in a post-human future as nature comes back through the cracks of concrete foundations

because it’s what carries us through

not in a literal sense