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Bauhaus: N°5 TropicsIssue 5 of Bauhaus looks to places of longing in European avant garde between Latin America, Africa, and Asia. The notion of a vanishing point was taken as a source of inspiration for this issue, an area of conversion and hideaway. Indeed, the tropics were not without influence on European modernism and incidentally, on the Bauhaus movement. Tracing the journeys many artists and designers took to Latin America, Africa and Asia, this issue reveals the

Wilson has deliberately chosen to photograph places – from sidewalks and shops to restaurants – where celebrities such as Willem Defoe

Yet it is the people

It features an essay by Marcel Beyer

In War as Ever

“Why Homos Are Better”

In recent years Benjamin Armstrong has established himself as one of contemporary Australian art's most inimitable practitioners

and dirt – together embodied in the automobile – was inspired by amateur photographers

The title is derived from a policy instrument by which population groups are spread across the city in order to prevent ghetto forming but by which human behaviour is normalised and uniformity is the result

- being covered in sweat and falling in dirt

19 x 28 cm

Thanks to Nieves (Zurich)

Vasarely’s exhibition – organised via official cultural political channels – became an important public event attracting a huge number of visitors

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