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Evelyn RichterEvelyn Richters portrayal of East German life is both critical and empathic, consistently focusing attention on the human actors she observes. She saw her artistic documentary work as a counter to the politically charged images of the time. The book presents the artists main groups of works, from the early days of her photographic activity in the 1950s through to end of the 1980s. It also includes photographs from Richters archive that have only

Peter Milne writes in the introduction to the book: “I took up photography around this time and we began a busy period of experimental photo sessions during which I was learning to how to use cameras while Rowland was learning how to pose for them

including Ourhouse (2010) and Brain One—Mózg Jeden (2006)

to programming algorithms to sift through thousands of online videos

and shares the labours of friends

This "light

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our handling of its space through appropriation and dispossession

“His situation

detailing his day-to-day life with the type of unbridled earnestness that comes with that age and the softness of love and longing

kultur featuring the legendary war photographer James Nachtwey has been a long time in the making (two-and-a-half years in fact)

This intercontinental epic traces the history of terrestrial infrastructure

his archive was left untouched in a Tokyo garden shed

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