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The Dry Heart'If Ferrante is a friend, Ginzburg is a mentor.' Guardian The Dry Heart begins and ends with the matter of fact pronouncement: 'I shot him between the eyes.' As the tale a plunge into the chilly waters of loneliness, desperation, and revenge proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white hot, tempered by rage. She

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directed in France

the currency of kleptocrats and oligarchs

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aesthetic optimism

stiffer and lightweight bearing housing

a couple who meet with one physical and emotional trial after another on their arduous journey