The Myth of Venice: 16th century music for cornetto & keyboards

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The Myth of Venice: 16th century music for cornetto & keyboardsSUMMARY TRACK LISTING REVIEWS INFO With the arrival of Adrian Willaert at St Marks Cathedral in 1527, Venice at last boasted a musician of international reputation to match its growing image as a city rich in gold but richer in renown, mighty in works but mightier in virtue. The establishment of Venice as the world leader in music publishing, and the coming and going of international musicians, made the Floating City anything but insular, and artistic

"this CD is like a vivid kaleidoscope of impromptu freely expressed creativity

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through his wildly eclectic programming

long-standing principal clarinet of the Scottish Chamber Orchestra

the music well worth an airing

Once again

photo: Andy D Parker / Shutterstock

Harper’s music takes its place firmly within the British symphonic tradition

Mahon is now Assistant Director of Music at the cathedral

even tone and faultless phrasing

Fugue and Allegro ever sounded so contemporary in its nostalgic sweetness and

just wait till you hear his way with a slow milonga