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Arian Christiaens / XeniaXenia is a combination of recent and past portraits that Arian Christiaens made of her sister. Christiaens uses the act of making portraits as an attempt to communicate and understand her sisters personality. Xenia handles the search for identity and how people struggle with fitting in society. Next to this search for identity, Christiaens also addresses the limitations of portraiture and the inability of photography to tell the truth. What is

and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter

They form a new collection that represents Frido Troosts associative way of looking

By merging theory with practice

from walls and buildings to billboards

Hicham Khalidi

the twelve-year-old protagonist Frankie Addams sighs: ‘They were the two prettiest people I ever saw

Anse Heestermans

its monosyllabism

the installation ‘Circular construction versus human body—referring to Toshikatsu Endo’

Department of Culture

a hybrid of civilizations

shared with a few female artists and thinkers